By using simple systems of counting and measuring in film, Iimura has drawn attention to the complexities of our time perception – memory, rhythm, phase – and the interaction between coucious conception of time, and the physical perception of its passing. Iimura is a significant and singular filmmaker, but also one of the most important 'conceptual' artist working in any medium. – Malcolm Le Grice, Time Out, April 1975, London

• DirectorTakahiko Iimura
• Release1 January 1972
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• Duration0h 9m
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